This colloquium volume celebrates a new Hellenistic epigram collection attributed to the third-century B.C.E. poet Posidippus, one of the most significant literary finds in recent memory. Included in this collection are an unusual variety of voices and perspectives: papyrological, art historical, archaeological, historical, literary, and aesthetic. These texts are considered as individual poems and as collective artifact, an early poetry book. The volume will be of interest to readers of Greek and Latin epigram, students of the Hellenistic period, and all readers interested in the aesthetics of poetry collection and the evolution of the poetry book in antiquity.

Pythagoras and Heraclitus developed theories of the universe and mankind's place in it which were taken seriously by all later Greek thinkers. None of their works remains, however, except in later paraphrases that all too often are misrepresentations. Pythagoras had followers who attributed their own ideas to their master; Heraclitus wrote in a prose style so ambiguous that he came to be known as the Shadow, so that even the most earnest attempts to paraphrase his views had to smooth out his intentional rough edges. Nonetheless, enough remains to allow the authors of this volume, edited by David Sider and Dirk Obbink (Oxford), to offer new ways of viewing their views and the way others perceived them. The contributors are Gabor Betegh (Budapest), Roman Dilcher (Heidelberg), Aryeh Finkelberg (Tel Aviv), Daniel Graham (Brigham Young University), Herbert Granger (Wayne State University), Carl Huffman (DePauw), Enrique Hulsz Piccone (Mexico City), Anthony Long (Berkeley), Richard McKirahan (Pomona), Catherine Rowett (East Anglia), David Sider (New York), and Leonid Zhmud (St. Petersberg).

The literary genres given shape by the writers of classical antiquity are central to our own thinking about the various forms literature takes. Examining those genres, the essays collected here focus on the concept and role of the author and the emergence of authorship out of performance in Greece and Rome.

In a fruitful variety of ways the contributors to this volume address the questions: what generic rules were recognized and observed by the Greeks and Romans over the centuries; what competing schemes were there for classifying genres and accounting for literary change; and what role did authors play in maintaining and developing generic contexts? Their essays look at tragedy, epigram, hymns, rhapsodic poetry, history, comedy, bucolic poetry, prophecy, Augustan poetry, commentaries, didactic poetry, and works that "mix genres."

The contributors bring to this analysis a wide range of expertise; they are, in addition to the editors, Glenn W. Most, Joseph Day, Ian Rutherford, Deborah Boedeker, Eric Csapo, Marco Fantuzzi, Stephanie West, Alessandro Barchiesi, Ineke Sluiter, Don Fowler, and Stephen Hinds. The essays are drawn from a colloquium at Harvard's Center for Hellenic Studies.

The world has long wished for more of Sappho's poetry, which exists mostly in tantalizing fragments. So the apparent recovery in 2004 of a virtually intact poem by Sappho, only the fourth to have survived almost complete, has generated unprecedented excitement and discussion among scholarly and lay audiences alike. This volume is the first collection of essays in English devoted to discussion of the newly recovered Sappho poem and two other incomplete texts on the same papyri. Containing eleven new essays by leading scholars, it addresses a wide range of textual and philological issues connected with the find. Using different approaches, the contributions demonstrate how the "New Sappho" can be appreciated as a complete, gracefully spare poetic statement regarding the painful inevitability of death and aging.

This is the editio princeps, based on new papyrus discoveries, of a Greek poem on astrology by an author whose notorious collaborations with Simon Magus is novelistically recounted in the Clementina. A versified handbook of horoscopes and introduction to the sciences, it is the only Greek astrological poem to have been written in elegiac couplets, and ist a new accession to the corpus of didactic poetry in the tradition of Aratus' Phaenomena, Manilius' Astronomica, and Ovid's Fasti. The edition offers a collection and complete re-edition of the remains of the poem's original four books: published and unpublished papyri, plus fragments and testimonia preserved in the secondary tradition.

This is a collection of essays by leading American and European scholars. Its purpose is to remedy the tendency among scholars working in Greek Religion to ignore the evidence for what have traditionally been called "magical" practices in ancient Greece. Because this neglect seems to arrive from adherence to a preconceived notion about a clear dichotomy between magical and religious ritual, the editors focus on the relationship between these two areas.

Designed to offer a critical survey of trends and developments in recent scholarship on Philodemus of Gadara (c.110-40 BC) and Hellenistic literary theory, the essays in this volume treat the papyrus texts of Philodemus' treatises on poetry and the related subjects of rhetoric and music, establishing links with his Roman contemporaries Lucretius, Catullus, Horace, and Virgil. The volume contains a complete translation of Philodemus' On Poems Book 5. The essays evaluate Philodemus' formalism, which denied the moral utility of poetry as it sought to demonstrate the convergence of the Epicurean and the traditionally poetic. The distinguished contributors are D. Obbink, D. Clay, E. Asmis, D. Sider, M. Wigodsky, R. Janko, J. Porter, D. Blank, D. Armstrong, and S. Oberhelman.